Ranchlands is a drama about an urbane, yet lost gay man who returns to his estranged ranch family to help care for his cancer-stricken brother, but a devastating family secret stands in the way of his rocky path toward reconciliation. The film is a fable about the rural-urban divisions that roil America today, a microcosm of what can happen when we forget how to talk to one another. Ranchlands makes the case, on an intimate family level, that we have more in common than not.
The story begins when the metropolitan Tyler, who has not seen his family for years, returns to his ranchland home upon hearing that his working-class brother, Garrett, has become ill. Waiting for him is his embittered mother, Debra, a recent widow whose homophobia is a mask for her fears of loneliness and resentment of being abandoned. Despite getting off to a difficult start, Debra and Tyler slowly but surely begin to thaw their cold war, but Tyler’s unexpected love for an earnest ranch hand, Noah, begins to expose a haunting event from the family’s past that threatens to tear them all apart. Ranchlands builds up to the reveal of that horrible event and its emotionally wrought aftermath – before spilling yet another secret — but Tyler finds a way to heal both himself and his family.
Sins of Men
In this true story, Martin Haas is a young seminarian plagued by a crisis of faith. After a recent, mysterious tragedy, an embittered Martin visits a bishop to recount his days as a sexually abused seminarian in the 1970s. It’s a harrowing tale: As a pious teenager struggling with his sexuality, he comes under the clutches of a psychopathic priest using the seminary for his perversions. Despite injustices that go hidden for decades, Martin finds an inner peace that the sins of priests cannot deny him. Ultimately, Martin finds his true self and spiritual redemption by overcoming his haunted past.
‘This is a film that must be made.’
david lewis, director